济南视频拍摄:短视频8大运镜技巧一文全掌握
有没有觉得自己的视频总是玩不出花样?
Do you feel that your videos always lack creativity?
视频、角度、镜头毫无章法?
Is the video, angle, and lens disorganized?
拍了半天全是用不上的废片?
After shooting for half a day, it's all useless waste footage?
无论什么样的视频,电影、电视剧又或者短视频也好,运镜拍出来的视频要比固定机位更有张力,那是因为运镜可以展现出更多的场景元素。而在内容呈现当中,大家如果一味地使用固定机位拍摄多个镜头,久而久之,观众会感觉画面有些许的呆板。
Regardless of the type of video, whether it's a movie, TV series, or short video, videos shot with a camera in motion have more tension than those shot with a fixed camera position because it can showcase more scene elements. In the presentation of content, if people blindly use fixed camera positions to shoot multiple shots, over time, the audience will feel that the picture is somewhat stiff.
想拍出个性有吸引力的视频,运镜是最基本技巧之一。今天分享8种常规运镜手法:推、拉、摇、移、跟、甩、升、降,新手也能拍出属于自己的微电影。
Moving the camera is one of the most basic skills to shoot videos with attractive personalities. Today, we will share 8 common camera techniques: push, pull, shake, move, follow, shake, lift, and lower. Even beginners can create their own microfilms.
1.推镜
1. Pushing the mirror
推镜头就是镜头指向拍摄对象,摄影师本人不断走进拍摄物体并进行拍摄。推镜运动的方式就是向前稳定推进,或者我们用变焦的方式使画面放大。
Pushing the camera is when the lens is directed towards the subject being photographed, and the photographer continuously walks into the subject and takes photos. The way of pushing the mirror is to steadily advance forward, or we can zoom in to enlarge the image.
他的作用,就是起到强化画面的某个人或物,强行将观众的视线,从杂乱无章的环境当中,集中在画面的主要被摄物上。
His role is to reinforce a certain person or object in the picture, forcibly focusing the audience's gaze from the chaotic environment on the main subject of the picture.
2.拉镜
2. Pull the mirror
摄影由近而远向后移动离开被摄对象,取景范围由小变大,被拍对象由大变小,与观众距离逐步加大。
Photography moves away from the subject from near to far, the framing range increases from small to large, the subject decreases from large to small, and the distance from the audience gradually increases.
画面的形象由少变多,由局部变化为整体。在景别上,由特写或近、中景拉成全景、远景。拉镜头的主要作用是交代人物所处的环境。
The image of the screen changes from less to more, from local to overall. In terms of scenery, it is drawn from close ups or close ups to create panoramic or distant views. The main function of zooming in is to explain the environment in which the character is located.
3.摇镜
3. Shake the mirror
这种运镜方式,相机不作移动,借助于活动底盘使镜头上下、左右、甚至周围跟随被拍对象,就像人的目光跟随着被拍对象。摇镜头在描述空间、介绍环境方面有独到的作用。
This camera movement method uses a movable chassis to make the lens follow the subject up, down, left, right, and even around, just like a person's gaze following the subject. Shaking the camera has a unique role in describing space and introducing the environment.
左右摇常用来介绍大场面,上下直摇常用来展示高大物体的雄伟、险峻。摇镜头在逐一展示、逐渐扩展景物时,还使观众产生了身临其境感。
Left and right shaking is often used to introduce grand scenes, while vertical shaking is often used to showcase the grandeur and steepness of tall objects. Shaking the camera gradually expands and displays the scenery one by one, creating a sense of immersion for the audience.
在摇镜拍摄运动中的角色时,相机的运动一定不能比角色早,不然就会像摄像和演员串通好了,镜头是观众的眼睛,这些都会让观众感觉到假。
When shooting a character in motion with a camera, the camera must not move earlier than the character, otherwise it will be like the camera and actor colluding, and the lens is the audience's eyes, which will make the audience feel fake.
4.移镜
4. Moving the mirror
相机沿着水平方向作左右横移拍摄的镜头,类似生活中的人们边走边看的状态。移镜头同摇镜头一样能扩大视觉空间,但因机器不是固定不变,所以比摇镜头有更大的自由,能打破画面的局限,扩大空间。
The camera is a lens that moves horizontally from side to side, similar to the way people in daily life look while walking. Moving the camera can expand the visual space just like shaking the camera, but because the machine is not fixed and unchanging, it has greater freedom than shaking the camera, breaking through the limitations of the image and expanding the space.
移动拍摄的效果是最灵活的,但弊端是相机抖动不好控制,很多人拍出来五毛钱效果,这时就要用到稳定器,稳定器通过机身马达和旋转轴来控制相机移动和旋转。
The effect of mobile shooting is the most flexible, but the downside is that camera shake is difficult to control. Many people get a 50 cent effect when shooting, and a stabilizer is needed. The stabilizer controls the camera's movement and rotation through the body motor and rotation axis.
5.跟镜
5. Follow the mirror
跟镜头是指摄像机跟随被拍摄对象运动状态下进行拍摄,镜头跟拍使处于动态中的拍摄对象在画面中保持不动的位置,而前后景在不断的变化。
Following the lens refers to the camera following the motion of the subject while shooting, keeping the subject in motion in the frame while the foreground and background constantly change.
比如说大家经常看到的探店视频会用到这个手法拍摄,主人公先是说今天我来到某某地方吃牛排,大家跟我走着,然后摄影师跟随主人公拍摄,进入到店里,接下来发生的事就是吃饭啊或者是店内装修的新事件。
For example, the commonly seen store exploration videos often use this technique for filming. The protagonist first says that today I came to a certain place to eat steak, and everyone walked with me. Then the photographer followed the protagonist to shoot and entered the store. The next thing that happened was a meal or a new event in the store decoration.
这种运镜方式没有固定的规则,只要跟随主人公即可,当然,在电影当中,他的拍摄手法,也可以采用多镜头组合跟随的方式。
There are no fixed rules for this type of camera movement, as long as you follow the protagonist. Of course, in movies, his filming technique can also use a combination of multiple shots to follow.
6.甩镜
6. Swing the mirror
甩镜头是指一个画面结束后,镜头急速摇转向另一个方向,中间摇转的过程中拍摄下来的内容模糊不清。这个过程比较符合我们人眼的视觉习惯,甩镜头可以强调空间的转换和同一时间内,不同场景所发生的并列情景。
Swinging the camera refers to the rapid rotation of the lens in another direction after the end of a frame, with the captured content becoming blurry during the middle of the rotation. This process is more in line with the visual habits of our human eyes. Swinging the camera can emphasize the transformation of space and the parallel scenes that occur in different scenes at the same time.
甩镜头要求一定的节奏和速度,对摄像师的要求也比较高。在具体拍摄时要注意甩的方向、速度和过程的长度,应与前后镜头相一致。
Swinging the camera requires a certain rhythm and speed, and the requirements for the cameraman are also relatively high. When shooting, pay attention to the direction, speed, and length of the swing, which should be consistent with the front and rear lenses.
7.晃镜头
7. Shake the camera
相比之前所列举的运镜技巧,晃镜头在实际应用中运用的并不算多,在一些特定的场景中晃镜头有着独特的作用。晃镜头是指在拍摄过程中,摄像机机身做上下前后摇摆的拍摄,常用作主观镜头,产生强烈的震撼力和主观情绪,如精神恍惚、车辆颠簸等等。
Compared to the previously listed camera movement techniques, shaking the lens is not widely used in practical applications and has unique effects in certain specific scenarios. Shaking the camera refers to the process of the camera body swinging up, down, back, and forth during the shooting process, often used as a subjective lens, producing strong shock and subjective emotions, such as mental confusion, vehicle bumps, and so on.
主要应用在特定环境当中,分为临场感晃动和模糊光晕晃动,前者增加临场现实感,后者增加镜头美感。
Mainly used in specific environments, it is divided into on-site shaking and blurred halo shaking. The former increases the sense of on-site reality, while the latter increases the aesthetic appeal of the lens.
以上几种镜头技巧在实际拍摄过程中并不是孤立存在的,结合运用会使影片有着更好的运动效果,构成丰富多彩的综合运动镜头效果。选用技巧时,应根据实际需要而选择,切忌无目的的滥用镜头技巧,这样只会影响前后镜头的一致性并且让观众损失观感。只有掌握了拍摄技巧,加以实操演练,实现在日常的视频拍摄中,才可能向更高的一层迈进。
The above camera techniques do not exist in isolation during the actual shooting process. Combining them can create better motion effects in the film, forming a rich and colorful comprehensive motion camera effect. When selecting techniques, they should be chosen according to actual needs, and indiscriminate abuse of camera skills should be avoided. This will only affect the consistency of the front and rear shots and make the audience lose their perception. Only by mastering filming techniques and practicing them in practice can we move towards higher levels in daily video shooting.
8.升镜
8. Elevating mirror
升降镜头是指摄像机上下运动拍摄画面,从多个视点表现场景的办法。包括垂直方向、斜向升降以及不规则升降。改变摄像机的高度和俯仰角度,创造更加丰富的视觉感受。
Elevating lens refers to the method of a camera moving up and down to capture images and present scenes from multiple viewpoints. Including vertical, diagonal, and irregular lifting. Change the height and pitch angle of the camera to create a richer visual experience.
如果在速度和节奏方面适当,则可以创造的表现一个主观事物的情绪,与其他拍摄技巧相结合运用则可以表现出丰富的视觉效果。
If the speed and rhythm are appropriate, it can create emotions that express a subjective thing, and when combined with other shooting techniques, it can produce rich visual effects.
9.降镜
9. Lowering the mirror
降镜的运动方式就是镜头缓慢下降。通常用来形容新事件的展开,由大场景环境带入到角色入场;
The motion mode of the camera is to slowly lower the lens. It is usually used to describe the unfolding of a new event, brought into the character's entrance from the larger scene environment;
以上就是八种充满艺术感的运镜方式了,当然一个视频想要做的好不仅仅靠运镜,还需要你掌握更多的、专业的拍摄和剪辑技巧。
The above are eight artistic ways to manipulate the camera. Of course, what you want to do with a video is not just rely on camera manipulation, but also require you to master more professional shooting and editing skills.
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